Combat (Paris)

by Michel Perez ''... Attacking the red bourgeoisie with the greatest violence, going to the peasants and the workers 'whose revolutionary ideals consist simply in becoming clerks,' sweeping away the Russian puritanism and Maoist Puritanism in a great rush  of sensual lyricism, (the film) burns with an anarchistic rage... Early Works gives us the revolutionary flame that the young Western cinema is incapable of giving...''